Photograph: Carlos Azevedo,  © Município de SantarémPhotograph: Carlos Azevedo,  © Município de Santarém


Name of Object:

A pair of still-life paintings: Confectionery and Pottery and Confectionery and Flowers

Location:

Santarém, Portugal

Holding Museum:

Museum and House of Anselmo Braamcamp Freire

Date:

1676

Type of object:

Still-life / Bodegones

Artists:

Josefa de Ayala e Cabrera (Josefa d'Óbidos) (1630, Seville-1684, Óbidos)

Period of activity:

1646–1684

Museum Inventory Number:

BMS/005005/PI BMS/005007/PI

Material(s) / Technique(s):

Oil on canvas

Place of production:

Óbidos

Dimensions:

Confectionery and Pottery: h: 84 cm; w: 160.5 cm
Confectionery and Flowers: h: 85 cm; w: 160.5 cm

Workshop / Movement:

Josefa de Ayala workshop

Provenance:

Anselmo Braamcamp Freire collection

Description:

This is one of two still-life paintings belonging to the Anselmo Braamcamp Freire collection by Josefa d' Óbidos. The influence of the Flemish, Dutch and Andalusian schools, which Josefa d' Óbidos adapted to her Naturalist genre to create her own distinct style, is clearly visible here. The painting reveals an essential simplicity, in which the central details are the confectionary, the pottery and flowers, and it is this very simplicity allied to the artist's delicate technique as well as a wide colour palette, that transform these works into silent and realistic worlds of living objects in all their serenity.
It is worth mentioning the use of a range of whites which in its subtlety adds to the vivid realism of the paintings and heightens the awakening of all five senses that is so redolent of Baroque Art and so characteristic of this artist.
Another approach to these paintings is to regard them as allegories of Christianity and the monastic life. Symbols such as the bread, the silverware and the pots are connected to festive occasions and feasts like the Eucharist. Ceramics are associated with the daily rituals of the town of Óbidos.
It is also possible to establish a connection with the Baroque discourse of the Counter-Reformation in which the gesture and behavioural excesses of human nature stand out, in contrast to the principles and values of purity and simplicity. Valuable objects and luxurious embroideries are represented together with white roses, representing the spirit of patience and red roses, associated with spiritual martyrdom.
Exploiting her knowledge of symbols and the significance of plants, the artist turns each detail into a symbol of reality and man's moral and spiritual values. Thus, the cherries and roses symbolise happiness, maternal love is suggested by the carnations and eternal life is characterised by the butterfly.

View Short Description

Current Owner:

Museu Biblioteca Braamcamp Freire

Original Owner:

Private collection

How date and origin were established:

Signed and dated: “+ / Josepha. Em Óbidos. / 1676.”

How Object was obtained:

Anselmo Braamcamp Freire bequeathed his palace, books and art collection to the nation; the palace is now Santarém Public Library and the bequest included the two paintings seen here.

Selected bibliography:

Sequeira, G. M. de, Inventário Artístico de Portugal, Distrito de Santarém, vol. III, Lisbon, ANBA, 1949, p. 73. 
 Serrão V., (ed), Josefa de Óbidos e o tempo Barroco, exhibition catalogue, I.P.P.C., Lisbon, 1991, p. 203.
The Sacred and the Profane: Josefa de Óbidos of Portugal 1630–1684, National Museum Of Women in The Arts, Washington, 1997.
Rouge et Or, Trésors du Portugal Baroque, exhibition catalogue, Paris, 2002.
Serrão, V., História de Arte em Portugal, o Barroco, Lisbon, first edition, 2003

Citation of this web page:

Susana  Alves "A pair of still-life paintings: Confectionery and Pottery and Confectionery and Flowers" in Discover Baroque Art , Museum With No Frontiers, 2019. http://www.museumwnf.org/thematicgallery/thg_galleries/database_item.php?itemId=objects;BAR;pt;Mus11;7;en&id=still_life

Prepared by: Susana Alves
Translation by: Ester Ramos

MWNF Working Number: PT 10

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