© State archive Olomouc

Name of Object:

Allegory of the Prosperity of Moravia under the Beneficent Reign of Leopold I

Also known as:

Doctorial thesis of Karel Josef Roden


Olomouc, Moravia, Czech Republic

Holding Museum:

Opava Provincial Archive



Type of object:



Antonius Freindt (1664, Olomouc?-1727, Olomouc)

Museum Inventory Number:

Fond Univerzita Olomouc, 2129/217

Material(s) / Technique(s):


Place of production:



h: 107.5 cm; w: 69 cm


An allegory of Moravia: a map in the shape of the globe, i.e. the Moravian world, is surrounded by celestial powers, representative of the states (clergy, nobility, towns) and allegorical figures. The woman with a mirror kneeling on the left personifies Prudentia (deliberation or foresight), while Fortitudo (courage or resolution) is represented by a female figure with a massive column and a Heraclean lion-skin on her head, close to another female figure with an hourglass embodying Moderatio (temperance or self-discipline). The symbolically raised hand with the scales over Moravia belongs to Justitia (Justice). The dignified man with a wig, with one hand on a fasces (a bundle of white birch rods) and the other on a statue of Pallas Athene, may be interpreted as an allegory of bonum consilium – good advice – as well as education. The celestial powers testify to the prosperity of the land under Emperor Leopold I (1657–1705), whose monogram LI is the centre piece of the print. The fruit of his beneficent reign is indicated by cornucopias, as well as by the attributes of education, and stones with planetary symbols corresponding to silver and iron, the wealth of the country.
At the centre, the imperial eagle supports a picture of the miraculous Virgin Mary of St. Thomas, accompanied by patron saints Cyril and Methodius on the left and St. Wenceslas on the right. The function of the celestial sphere carried by angels is specified by the words: “Divine power rules the celestial worlds” on a band. The peculiar manner of representation, with Moravia as a globe, is elucidated by the second part of the sentence, at the interface of the heavenly and earthly spheres: “and the emperor rules the Moravian world with fatherly, powerful care”. The print originated as part of an Olomouc University thesis. After taking exams, graduates had to participate in public debates, the theses of which were printed as announcements. Some of them were engraved after templates by Moravian painters in the renowned Augsburg workshops.

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Current Owner:

Opava Provincial Archive

How date and origin were established:

The original artist remains unknown. The print is signed by the Olomouc copperplate engraver Antonín Freindt (1664–1727). The print also features the name of the person who commissioned it and whose thesis is seen in the Latin text at the bottom section of the print.

How Object was obtained:

The print was a part of a collection of university theses from Olomouc University, established in 1573 as a Jesuit College. The collection was taken into the state archives in the 1950s.

Selected bibliography:

Josef Válka, in Ivo Krsek – Zdeněk Kudělka – Miloš Stehlík – Josef Válka, Umění baroka na Moravě a ve Slezsku, Prague, 1996, p. 18.
Milan Togner, in Jiří Kroupa (ed), Dans le miroir des ombres. La Moravie a la age baroque 1760–1790, Brno–Paris–Rennes, 2002, pp. 8688, cat. 3.

Citation of this web page:

Zora Wörgötter "Allegory of the Prosperity of Moravia under the Beneficent Reign of Leopold I" in Discover Baroque Art , Museum With No Frontiers, 2019. http://www.museumwnf.org/thematicgallery/thg_galleries/database_item.php?itemId=objects;BAR;cz;Mus11_F;4;en&id=prints_and_drawings

Prepared by: Zora WörgötterZora Wörgötter

SURNAME: Wörgötter
NAME: Zora

AFFILIATION: Moravian Gallery in Brno

TITLE: Museum Curator and Local Co-ordinator

Zora Wörgötter studied Applied Painting at the Secondary School of Applied Arts, Video Art (Faculty of Fine Arts) at the University of Technology in Brno and Art History and Ethnology (Faculty of Arts) at Masaryk University, Brno. She has worked at the Moravian Gallery since 1997 and was curator of the Ancient Art Collection up until 2008. Specialising in Dutch and Central European painting of the 17th and 18th centuries, she has participated in the preparation of several exhibitions, catalogues and research projects in the Czech Republic and abroad, and published in the Moravian Gallery Bulletin, Opuscula historiae artium, and other journals. She is co-ordinator of the Art History Database www.ahice.net for the Czech Republic.

Copyedited by: Jiří KroupaJiří Kroupa

NAME: Jiří

AFFILIATION: Department of the History of Art (Faculty of Arts) Masaryk
University, Brno

TITLE: Professor

Professor Jiří Kroupa studied Art History, History and Sociology Masaryk University, Brno. He was a curator at the Kroměříž Museum and the Moravian Gallery in Brno before joining the staff at Masaryk University in 1988 (Head of the Department 1992–2002; Professor 1999 to present). His particular fields of interest are in the history of architecture, 18th-century cultural history and the methodology of art history. His long list of publications includes an edition on the architect Franz Anton Grimm and an essay “The alchemy of happiness: the Enlightenment in the Moravian context”. He was contributing editor for the volume Dans le miroir des ombres. Moravie a la age baroque. 1670–1790 (2002).

Translation by: Irma Charvátová
Translation copyedited by: Mandi Gomez

MWNF Working Number: CZ 05